It lets him off the hook for introducing Winehouse to class A medication, even though he’s on file accepting duty for this. It credit him, by way of scenes that characteristic O’Connell dancing across the Good Mixer pub in Camden, with introducing Winehouse to the music that instantly impressed her largest and most enduring songs (Mark Ronson, by the way in which, is simply talked about in passing and never featured within the movie). However most of all, it portrays her as violent in the direction of him, to the extent that, I feel, anybody taking this model of their relationship as the truth is perhaps inclined to aspect with Fielder.
